musain: (liberté liberté cherie)
enjolras. ([personal profile] musain) wrote in [community profile] dawdle2013-02-03 05:38 pm

open post | reincarnation


❝Our lives are not our own. From womb to tomb, we’re bound to others. Past and present. And by each crime and every kindness, rebirth our future.❞

Your characters keep meeting across time and space, dying and being born again. Every lifetime is an adventure. For reference / inspiration: the Cloud Atlas trailer

how to:
♛ tag in with your characters: write about who they were in the past, give them alternate names, make up alternate history: there are no hard and fast rules.
♛ tag others: is it a love story for the ages? a rivalry that spans centuries? is there something that draws them to another, something they can't quite pin down? an overwhelming sense of deja vu? or was it just someone you saw in a dream?
♛ have fun, and be excellent.


recircular: (Up)

ii

[personal profile] recircular 2013-02-04 02:42 am (UTC)(link)
[she is different in every era, yet there are part of her that remain the same. She is still drawn to important moments in history, and especially to brave souls who fight for their beliefs. That is why Lucille (as she is known in this time) finds herself trying to listen to Enjolras.

Never living past a certain age is something Luce knows very well; she never makes it past 17. So she is not yet that age when she comes to hear Enjolras]
junks: (Default)

v.

[personal profile] junks 2013-02-05 01:56 am (UTC)(link)
[ What will always remain the same about Anna across the tracks of time is her temperate nature, her pacifism, and her determination to make this world a better place for the generations to follow. In 1892, she was a hopeful schoolgirl in Germany who sought to improve the lives of her future children by straying from her village's authoritarian, oudated methods of upbringing. During WWII, she was a nurse who prayed for every single soldier, regardless of whose side on which they fought, as her family hid refugees.

Anna believes in God, but she believes in books more, the necessity of education, the importance of freedom -- all of which will lead to a better and brighter future. Anna carries hope but she will also carry the burden of watching her friends die young while she lives to her twilight years.

Perhaps the modern era will be different. She, known as Annie today, is a journalism student, eyes on the world, ready to correct what is wrong and support what she believes is right. There's a bolder, brighter fire lit beneath her in this age. She keeps few friends and more acquaintances, nodding to a familiar face as she enters the study center with her books and tablet held to her chest.
]
Edited 2013-02-05 02:05 (UTC)
starkbastard: (Looking away)

Jon Snow | ASOIAF | For Sansa

[personal profile] starkbastard 2013-02-04 03:35 am (UTC)(link)
[Honor is what drives Jon, no matter what life he leads. Honor, and the love for his family, the need to protect those he cares for, and the need to find the love of his life again. Her presence is a balm against the harshness of his life, her warmth his lifeline when all seems lost. Throughout the ages, throughout the worlds, he searches for her, finds her to sometime love her all over again, and other times to watch her from afar, she belonging to someone else, or he tied down with vows.

i. Winterfell, Westeros, 297AL She's his sister (half sister, she would insist if asked) and she has eyes only for the golden haired Prince. It should only matter little, Jon is sent to the Wall when she's sent South, but when their party splits up on the Kingsroad, the boy regrets not having said goodbye. The feeling only deepens with each news of the hardships she live at the hands of cruel men.

ii. England, 1192 He comes back from the Crusade with honors, even if they lost Jerusalem to the Muslims. He's a Knight Templar but holds no land on the island, though one of the High Lords take a shining into him enough to offer him a place at his court. The first time Jon sees her is during the feast that followed the week of their arrival, dancing in the dinning hall, her red hair flowing like melted copper. He's too shy, too honorable to court her: he doesn't want Lord Stark to think that he is taking his hospitality for granted. But her own brother gives him the shove that he needs, and before the end of the following year, they are married on the green hills of Winterfell Castle.

iii. Germany, 1569 He's known her since he was a boy, her family holding the lands around the village, who's orphanage has fostered him since his birth. He's almost a man when he notices she's almost a woman and something flutters in his chest when her gaze catches him as they walk by each other on the stairs of the church. Maybe it's the reason why he's sent to the seminary, that longing look Father Mormont caught on Jon's face, or maybe it's simply because no one ever marries an orphan. All he knows is that while he's gone to take his vows, her father is killed by bandits in a hunt gone wrong, her baby brothers burned to death and her mother gone to insanity. He comes back to the village in a priest cloak with the order to trial her for witchcraft, for surely the red of her hair is a sign of her being the consort of the Devil. She strangely disappears overnight after being sentenced to be hanged in the morning, and Jon is the one that finds himself dangling at the end of her rope.

iv. Quebec, 1780 He's in the field hacking the latest tree they brought down when he watches the caravan make it's way to the big, colonial house on the hill. The other lumberjacks laugh and wolf whistle at the young women on horse while Jon simply shakes his head. Another British Lord and his family sent to take up what was left by the seigneur since the Quebec Act. It's not the first family that is going to try to tame the wild Frenchmen, and certainly not the last, but most often, the cold and harsh weather of the Canadian winter is what makes them all run back to their King, more than the stubbornness of the Quebecquers. But this family stays longer than the others, when the Lord takes a liking in Jon's craftsmanship, he finds himself invited in a home that seemed far too warm, far too welcoming for the home of an Englishman (with the exception of his Lady wife, who barely gives a look to the dark haired boy, and whom speaks English around him, not knowing he's long learned the language despite being born to a French mother). What starts with a few French lessons quickly dissolves into French kissing lessons, enough that makes Jon wonders if all British are meant to be cold and reserved.

v. Chicago, 1924 She's the new girl, coming from a broken home, she says, just like the rest of them. But Jon recognizes her: she's the daughter of the police officer that tried to stood up to the Lannister crime family. He recognizes her because she's the daughter of his mentor, the man that taught him everything before he was passed along to Officer Halfhand, to learn how to be an undercover cop. She sings at the bar he 'bartends' for, watching and reporting who's who and what's to come. She has the most beautiful voice he's ever heard, a bird-like song that's tainted with so much sorrow that it reflects in his own. He knows better than to let his heart be taken by her beauty, by her voice and the small smiles she sends him from the stage: the last woman he loved ended in a pool of blood after a botched attempt on his life. He knows better, but he still smiles back at her.

vi. New York, present day He wonders if she notices sometime. The way his eyes never leaves her back, the way his jaw sets tighter when she pulls her hair over her shoulder and twists them in a nervous manner when she's studying. She must notice from time to time, because she looks back at him and Jon ducks his head, cheeks aflame at having been caught staring. She's part of the upper crowd at Colombia University (even if Samwell often reminds him that there's no upper crowd here), and he's just here because he's been able to gain scholarship through hard work. She must be a literature major, from what he can make of the books she thumbs in the library and Jon is not sure he can really find a subject of common interest in the architecture books he carries. He still finds the need to talk to her, he still feel the strange pull to her, as if he's known her all of his life, even if they've never spoken before.

vii. The Vale, Westeros, 302AL It has taken him years to find her and he hates himself for it. But in between being brought back to life through the flames of his own funeral pyre, the fight against the Others aided by the Dragon Queen and the new name he now bares, it's been hard for Jon to leave his duties to find his family. His uncle's family, he supposes now he should say, though the love he has for them all has never wavered, nor will it. Names are just names, it's what comes to pass between them that's important. He finds her in the Vale, holding the Eyrie by herself, the man masquerading as her father nowhere to see. It's stronger than him, and when he jumps down from his steed, Ghost never leaving his heels, Jon takes long strides up to her, pulling her into a tight hug as he hides his face into the returned fire of her hair. His voice nearly fails him, but he manages to whispers over and over: "I'm sorry, I'm so sorry..."]

this is the most beautiful thing oh my god

[personal profile] sorrowed 2013-02-04 04:22 pm (UTC)(link)
( she's the kind of girl who spends all of her time in stories. she lives and breathes them and knows nothing else, and she's the kind of girl that some people might find it easy to hate for that kind of naiveté. this is the stark girl - her father is an oil contracter in alaska. they own a giant estate way up north there. she has never had to work for anything in her entire life, spending her childhood at lessons ( manners, music, dance ), tucked away from the rest of the world. it's not as if she's entirely unaware of the horrors of life, but she immerses herself in austen, and not tolstoy. she reads beautiful romances about provincial ladies, and ignores that copy of heart of darkness sitting abandoned on her shelf back at winterfell. she is an english major who buries herself in poetry, sitting in dusty libraries with a sonnet or two balanced on her lap, dressed in lace and pastels, dragonflies and birds, a china doll that belongs in a different era.

there is a boy that she likes - joffrey baratheon, the nephew of the lannister shipping magnate, tywin lannister. he's something of a celebrity on campus, and when she looks at him her heart skips a beat and all breath seems to leave her body. he is beautiful and so kind, bringing up old notions of chivalry that were once proclaimed to be dead. and if his gaze lingers too long on her, if his touch stays imprinted on her skin ( but never long enough ), sansa swoons and cannot think of anything else. she tells all this to jeyne poole, relates it as if it were a fairytale romance. jeyne's father is an old family employee and she is only here because sansa's father is paying her tuition. she nods, and lives her life vicariously because she has never had a prince, and probably never will. they don't exist, after all.

yet every night, it isn't joffrey that sansa dreams about. she dreams about a young man with shockingly black hair, a man clad all in black. she thinks it might be the same man, every time. the dreams don't happen often, but sometimes when she tucks herself in at night ( and ignores the sound of jeyne snoring on the bunk bed above her ), she finds herself wishing to see him again. they say that dreams reveal parts of your subconscious that might not otherwise be accessible. sansa wonders what these dreams mean.

she has taken to writing them down, when she can.
november 2.
we were married on top of a hill. people threw flower petals in the air. robb hugged me and spun me around. who is he? I see him in all of these dreams. I wish I could meet him, if he exists. just this once. he loved me. there was always dancing. what a wonderful dream.
sometimes, they were not so idyllic. sometimes, she watches her father being butchered, her baby brothers taken and burned, her mother disfigured beyond belief. she remembers weeping, pleading for mercy, begging for sanctuary from a god that had abandoned her. a witch, they said. they'd dragged her by her hair from her cabin, kicking and screaming and dragged through the mud, shut in a cell. but it's strange, she doesn't remember burning. there was a priest, wasn't there? a handsome priest, dark and striking, dressed in black. an angel in disguise.
november 21.
I couldn't stop crying when I woke up today.
one night, it's the cold of winter that she remembers. the cold, and the pleasing lilt of french. sansa doesn't know how to speak french. she isn't sure why she dreamed of it, but that isn't what she concentrates on. she remembers warmth of a different kind, the heat of a kiss. strong hands around her waist, a breathless gasp that makes her blush to remember it. she wakes up flushed and heartsick, aching. yearning. sansa doesn't write anything in her journal that day.

she continues to write throughout the year, and remembers other things. the drape of a toga around her body, a shimmery dress and a microphone at her lips, the odd sway of a crowd that is free and uninhibited. there is a thread of sorrow that runs through all of her dreams, even the happy ones. and for a girl who reads only love poetry, many of sansa's dreams are about death.

but those are the ones that she doesn't dwell on, as she sits here in the library. there's an old armchair that she always takes if it isn't already occupied, by a fireplace. tucked away enough for her to read, because life in residence is horrible and she isn't used to the loud music and constant drunkenness of her floormates. she turns the pages and is engrossed: pablo neruda, love sonnet xi:
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
sansa looks up. his back is turned to her, but that head of hair is as unkempt as always ( what a funny thing to say, as always, like she's met him before ). she thinks she must have dozed off in the library somewhere, that this is something else that she'll write down in her journals for later. the book falls off her lap, unbidden. it sounds impossibly loud when it hits the floor, a hollow sound in the quiet of the room. sansa inhales deep, her heart thumps in her chest.

she wonders if he loves her in this story, as well. she wonders about the motifs, the themes that interlace. )


Excuse me --

( it's probably a silly whim. a stupid wish, a flight of fancy that sansa is still young enough to entertain. )

Do you have the time?
Edited 2013-02-04 17:33 (UTC)
starkbastard: (Wait what? (modern))

we will make it even more beautiful!

[personal profile] starkbastard 2013-02-05 03:34 am (UTC)(link)
[He was born in the South, to a father that went missing in action abroad, fighting a war to liberate people, and to a mother that was loved the length of a summer. His father had only learned about his existence through letters and when his mother died in childbirth, Jon was giving her surname and was sent up North, with friends of his father's family. Better usher away the illegitimate son of a renowned army general then letting the world know of him dishonoring his wife.

Jon never really minded being kept away from the higher social ranking of his father's family. He liked it well enough up North in Vermont, so close to the Canadian border that by clear days, he could see their mountains when atop on the snowy ones by the state line. The Mormonts is a nice family enough, they make him feel welcome despite who he is, and the hard work of the cattle ranch kept him in line. It was the Old Bear's wife that pushed him to study hard, that kept up at night with him so all his school work would be done in time, that signed him off to extra-curricular classes. Jon often times thought she was making it up for their only son, who ran away to Las Vegas with the farm's earnings one night. And Jon, starving for love and attention, never put up a fight to her pushings.

Efforts bared fruits and when the letter of acceptation had come in, the boy thought he had seen tears in Jeor's wrinkled eyes too. Their surprise hadn't been over then: two days later came in his aunt, a girl his own age with hair so blond they looked silver and lilac eyes that seemed unreal. His father's wife and children had perished in a plane crash, leaving her sole heir to their family's empire, and she was insisting in helping him, wanting close the only family left to her. It was how Jon had come to live off campus, in an apartment so big it could have been a dorm in itself, and not even a block down the campus. It was all the help he had accepted, insisting on wanting to make his own name. Daenerys had simply nodded and smiled, her gaze understanding.

But even if the apartment is a calm enough place, it doesn't have all the books he needs to study and it's why Jon is often seen in the library. It helps that his friends come to sit with him: quiet and shy Samwell, a med student that seems too scared of blood to be able to finish his degree; Pyp, the art student that often boasts about being the next Jim Morrison and Grenn, the mechanical engineering student that dreams about building the next best electric motor. But it's only since Jon has noticed the auburn haired girl that he stays late, waiting for her to leave before doing so, always coming in a little earlier after he notices the chair she always favors, choosing the table not too far from the fireplace, the same one that he's coming to think of as his own.

Everyday he watches her, telling himself that today is the day he'll finally talk to her. But then she smiles to her friend, or the friend tells her something and her soft laughter rings into his ears, stealing any words Jon can think of telling her. It's strange, how it seems so familiar: her smile, her laughter, the way she plays in her hair when she thinks. Even the look she gives to the Baratheon boy, (the golden boy at Colombia U, the business major that counts more conquests than A's on his report card, or so Jon thinks) is something he knows. The ache he feels when he sees the flush of her cheeks when the blond reaches for her is also familiar: like a constant reminder that he'll be the one pinning all of his life for her, a reminder that she's out of his league.

It doesn't help that he dreams of her at night, more and more frequently, some dreams leaving him elated and smiling, others with a wetness on his face that he wipes away before he sits by his window, watching the New York skyline at night, unable to find sleep again. And there are those kind of dreams that makes him more than relieved that he has his own room, where he can have them live for a moment longer in the darkness of the room, underneath the covers. But each time, each dreams, no matter the content, leaves him aching for her again, leaves him with the feeling he's meant to meet her here, that he's known her all of his life.

It's the sound of the book falling to the floor that has him jumping slightly on his chair, his mind taken away from the lab report he's writing for Professor Thorne's building physics class. Jon rubs his tired eyes before he rolls his head, working out the kink in his neck, freezing slightly as the soft voice that haunts his dreams hails him. He turns his head to her, looks at her in a slight daze as if he can't believe she's speaking to him, finally.]


I'm sorry, what? [He blinks, his brain registering the question as his eyes moves to her face, wondering if it's really hope he sees in her blue eyes, committing to memory the graceful curve of her neck, the way her hair is twisted up in a loose bun, one that makes Jon's hands twitch with the need to unroll it so he slides his fingers in the silk of the copper strands.

He realizes too late that he's starring and he ducks his head, cheeks burning lightly.]


Oh. Time. Yes. Hum...[He reaches for his smartphone on the table and flicks it on]

Ten past eight. [Well, it's no wonder he's tired, aching and hungry: he's been in the library for the past five hours, non stop.] Looks like I miss dinner. We both did, I mean.

['Smooth, Snow, really smooth. She finally talks to you and all you can do is ramble about dinner, idiot,' he inwardly scolds himself.]
Edited 2013-02-05 03:45 (UTC)

sdkfhdks wow, I am the latest

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disciplewhomsignlessloves: (Flame in your eye)

The Disciple | Homestuck

[personal profile] disciplewhomsignlessloves 2013-02-04 05:09 am (UTC)(link)
Alternia: The beginning

The Disciple, Meulin, lived free, loved deeply, believed fervently, and died alone. Her life was spent in dedication to the ideals of another, a thing she repeats. The rest of the lives that she lived on Alternia were too short to count.

Earth: Egypt

Beset was born into a merchant family, spending her says posting and learning how to run a household and shop. When her older brother began practicing his hieroglyphics, she begged to be taught. He taught a symbol here and there, and she devoured herself to learning mire. Deciphering symbols and learning to write them, warding his lessons and practicing them in secret. However, his teaching to her was found by their father and rather than let him suffer for her, she took his beating for him.

Soon after she ran away, offering to write for money and decipher notes for the illiterate. A temple took get in and for the rest of her life, she was the only female scribe of Bast's temple. In devouring her life and her skills to the goddess and temple that took her in, she brings Bast to her worshipers in symbols, and in rare festivals, dance. Its even said her weirds changed a life or two, though its not said of they were harsh truths or whispered devotions.

Earth: Canada

Dierdre found books and cats at an equally young age and they became her passion. She was that girl in class growing up, with books piled on her desk that she hid behind and a cloak of hair to hide her face. The shyness never lated long though. Like a cat that us all affection once the wariness wore off, she was fast friends with the few who approached her. Reading, she found worlds she could only dream of.

Now in college, she feels like she's drifting, searching for some meaning in her life. She had a purpose, she thinks, she just doesn't know what. She thinks she'll write, write something, but plenty of afternoons are wasted in the library, dreaming of the perfect story.
nosigntospeakof: (♋ I awake every morning)

ohhhh Caaanadaaaa

[personal profile] nosigntospeakof 2013-02-04 06:49 am (UTC)(link)
[Kankri, the Signless, the Sufferer. The red-blooded mutant who tried to turn an entire society with the power of his words only to be branded a heretic, executed and erased from official histories. Only his beloved Disciple continuing to carry on his teachings after his death. In the grand scheme of things this life was the only one worth noting.

And yet here he is, Salvador this time around. An American boy at a Canadian college with hair that isn't sure if it wants to stay red or make the full transition into brown, eyes the color of dark honey and an affection for high-waist-ed pants and turtleneck sweaters rivaled only by old men in the middle of January. He's intelligent, hungry to make a difference in the world but perhaps too ambitious for his own good. At least in this lifetime the worst that will likely happen to him is being exhausted through the entirety of uni trying to juggle all his classes instead of, you know, being murdered.

But for right now he has a both a political science and religious studies to read up on and the library is the perfect place to get that done and oh no it's that lovely girl he's seen around campus with the hair and cat hair on her sweater. Oh no, she's cute. Oh no, all the other tables are taken. Oh nOOOOOOO.

He sets down his book across from her.]


Is it alright if I join you?
Edited 2013-02-04 06:50 (UTC)

/switched because icons. my other one expired

[personal profile] glaringprotego 2013-02-04 06:36 pm (UTC)(link)
[Looking up, there's a cute boy here all of a sudden. The one she sees ocassionally but doesn't quite know what to think of him. He interests her in a way she can't honestly describe, like he's someone she needs to know or she knew before, but that's silliness. Her smile is hesitant, the awkward sensation of knowing him deeply and not knowing him at all, but all at once.]

If you'd like. The tables weren't so crowded earlier. [Moving her stacks of books to one side, she tries to hid her curiousity as she peers at his book.]

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brokethecycle: mambo (Default)

Norman Babcock | ParaNorman | What am I doing someone take the wheel

[personal profile] brokethecycle 2013-02-04 05:45 am (UTC)(link)
[Norman will always be on a personal journey for acceptance. His gifts of speaking with the dead will always carry over into every new life. Despite how worn and tired he may become, he will always stand up for what's right, and protect those around him with a tenacity that can't be beat.]

1693 Salem, Massachusetts His life is very short. The puritan doctrine is a strict one, and one that does not look kindly to those who would act strangely. Norman is a child with a gift that is feared by those around him. Speaking with the dead is akin to witchcraft, and the punishment for such blasphemy is death. He is sentenced to hang until dead. He was eleven.

1922 New York City Successfully living past his teens, Norman uses his abilities to assist in his work as a Private Eye in the roaring twenties. Its easy to make enemies like that and it doesn't take long for him to get in over his head. Because he has such a pesky moral code under all that cynicism and bitterness, he gets himself shot up by a mobster who deemed him to have known too much.

2026 Seattle, Washington His quietest life by far. Norman makes it through life with his head ducked down. He's beyond the point of worrying about what others think of him, even if he does talk to the air. He winds up stopping a curse from eradicating his town and things actually go pretty well from there. He finishes out high school without much excitement and then works until retirement as a tattoo artist and psychic consultant. [A mix of canon and an RP!canon.]

30 A.W. (2125) Once upon a time there stood a band of heroes. Warriors of free thought who fought those who would seek to enslave and terrorize the innocent. The Psychonauts fought against psychoterrorism and brought hope to a hopeless populous. The Psychonauts are a myth, so everyone says. So much as whispering otherwise earns you the scrutiny and ire of the totalitarianism government that looms ever in control. Norman is a vigilante on the run with powers the government outlawed years ago. Rather than keep his head down any longer he will fight tooth and nail to see that the world can one day hold their head up again, even if it means he's another casualty of war. People like him don't last long- be they caught and killed, or dragged to facilities to have their brains cut open. Regardless its a risk he'll be willing to take. If there is him, there are others, and where there are others, there will one day be hope.
Edited 2013-02-04 05:52 (UTC)
butimacheerleader: (determined/take it up a notch)

Salem, Mass!

[personal profile] butimacheerleader 2013-02-05 04:52 am (UTC)(link)
[Because no matter what/when/who they were- she was always going to be his sister.]

Norman?

Norman where are you?

[She could let herself panic, a little, the town was starting to whisper more and not a bit of it was anything good.]
brokethecycle: (Are said too much)

[personal profile] brokethecycle 2013-02-05 05:10 am (UTC)(link)
[He was hiding in the woods. He had overheard some of the more hostile nattering. It seemed like he'd slipped up and now the entire town was in an uproar. He didn't understand. All he was doing was playing. Why did it have to be such a big deal?]

[He was going to stay behind a particularly large tree and try to catch his breath. Someone from town had wanted him to come to the courthouse. He ran for his life instead.]

[he heard someone calling for him but didn't dare look. Instead he clamped his hands over his mouth and waited.]

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stomped: art by crosshammered @ tumblr (❝ ricochet you take your aim ❞)

isaac clarke | dead space

[personal profile] stomped 2013-02-04 05:00 pm (UTC)(link)
[ SOME OF THE FOLLOWING SITUATIONS CONTAIN SENSITIVE TOPICS.

Isaac Clarke may have been used to being a man of the man, but now? Now he is also a man of himself, a man who is determined, and one who will stop at nothing to achieve that underlying goal of his that beats at his heart's core--control. Between the severe PTSD and schizophrenia, hallucinations of his dead wife, and the alluring hum of Twinkle Twinkle Little Star, Isaac is, and will always be a man who is never quite holding the reins of his mind. He will strive to complete himself again and again with a dogged determination the likes of which has never been matched. He wants a life, his life, whatever that may be, but sometimes it will get the best of him.

i. Danvers, 1880. No, please, no. It's not right. He knows it's not right, to sit here in this chair and shake and shudder with his arms painfully around him and the straight jacket just too tight (should be tighter, they say). It's a funny place, this hospital, a funny little place, but it's where he belongs, they say. They can fix a mind like this, they can fix a poor man like him. After his wife died it all went down hill--father gone, mother found dead, and there he lay writing on the walls in his own blood Nicole Nicole Nicole. Octavia Clarke does not survive and most think that the budding engineer should be put to death.

But maybe maybe they can fix him. They can fix him with just... a little cut here. And a little slice there. Oh, he can hear it, the murmuring, the hushed whispers and the clink of metal instruments and he shakes and trembles and whispers her name between chapped and bitten lips.

It could work, they say. Still under development, they say. Who better to test it out on than him? He's a detriment. An occupational hazard. A danger.

No one will miss him.

Isaac Clarke dies with her name on his lips and pieces of his mind missing. They burn his corpse.

ii. North Atlantic Ocean, 1912. All 46,000 GRT of her splits open as she upends herself in the water. The strain on her keel is unimaginable, yet he can see it all the same as she cracks with a deafening screech. The RMS Titanic. A beauty. A work of unparalleled engineering. His breath is held, perhaps from the cold settling into his skin as he flails in the water, trying to stop his body from seizing, trying to keep himself afloat. He screams her name. "Nicole!" It is ragged and harsh and he sputters, coughing, feeling his muscles protest as he tries to churn the icy water he's been unceremoniously dumped into--spared the sharp blades of the propulsion system flying off and slicing into his skull.

He's about to give up with a warm (by comparison) hand reaches out for him. He screams, and more hands reach out, grab at his soaked clothing, press him in between bodies that are already crammed into an over-packed lifeboat that teeters precariously on the frozen water. Nicole, he has to find Nicole. He has to find her even though he saw her in her casket, saw her with her hair beneath her head, short and blonde and soft, and her face lily-white and her hands folded. He saw her and he wept and he blames himself. She died because of him. She died because he wasn't there to save her.

It's alright, she says, a girl with dark hair, a patch over her eye, a smile all her own--but all Isaac sees is Nicole, her skin, whiter than death, her hair of blonde, plastered and wet, and bright, sunken eyes grabbing him by the collar of his shirt, throwing him back into the water where he screams and his entire body finally seizes up, stops. She drowns him.

Isaac Clarke is pronounced dead: a suicide. After being rescued by a nearby lifeboat making its way from the Titanic, he throws himself back into the water, paler than a ghost, and sinks.

iii. Boston, present day. Northeastern. North-fucking-Eastern. He's got the acceptance letter in his hand.
Dear Mr. Clarke,

Congratulations! I am pleased to inform you that you have been accepted for full-time study in our mechanical engineering...
"You can't go," his mother says with a soft smile. Why? He asks. "We simply can't afford it!" And he furrows his brow. You know, he thinks, years ago we could have afforded it, before Poul jumped ship and you went on the straight path of some bizarre religion--No, no, I don't need to be told the name again. But you'll like it, Isaac! She says. It will save you. It will save us. No. Thank you. Isaac decides that, despite his desire for prominence, to be the best, he'll take the more affordable road, the one he can pay out of his own pocket. It's community college and night school and it's his own place in South Boston, away from his deranged mother, curled up among thick tomes of mechanical engineering and papers with various equations and cups of coffee that are turning into fast-growing science experiments. During the day, he works as a mechanic, at night he studies. He's a man of all work and no play--especially when there are bills to pay.

He lives out his life with tattoos on his arms, working under cars and motorcycles and for some reason, beyond himself, he is content. He never marries. He lives alone. He always seems very far off, the man, too far off, like his head is in the clouds. Over his lifetime, he has a growing affection that is tossed towards the stars, the great, black expanse above.

Isaac remembers the days when he wanted to be an astronaut and an engineer and a fireman and an ice cream truck driver. Someday, he says as he reaches his hand up at the window. He is a working man until the day he dies.

iv. The Sprawl, 2511. Isaac knows no fear at this point. Fear is only a hindrance. It trembles in his bloodstream, courses through the head atop his shoulders as he leans around a corner, feels the comfortable weight of the plasma cutter in his hands. His breath comes silently--always silently (they can hear, you know). The lights over his head flicker poorly, the tell-tale bzzt bzzt lets Isaac know that something (something, can't you hear it?) is coming.

It wails and Isaac runs. Today is not the day to die.

"Fuck you! And fuck your Marker!" he screams as he destroys it, obliterates everything that has kept him prisoner in his own mind.

He has never felt more alive than today. ]
Edited 2013-02-04 17:08 (UTC)
musicalprincess: (Default)

Ako Shirabe | Suite Pretty Cure♪

[personal profile] musicalprincess 2013-02-04 05:18 pm (UTC)(link)
[ If there's one thing that doesn't change about Ako through the ages, it's her kind, sweet nature -- granted, she's forced to hide it under a mask of stoic apathy due to struggles in her life, but she does care underneath it all. Music also seems to accompany her in some form, whether it be in ability or something more... innate.

I : June 1692 - Salem, Massachusetts

Born into a loving family of Puritan church leaders, Melody spends her days singing... her songs carry potent powers within them, though: they can heal those who are ill, on the brink of death.

Her family is the only one to protect her when she's thus charged with witchcraft... and the only one to mourn her when she's sentenced to hang that warm June afternoon. She's only 10 when she dies.

II: August 1790 - Vienna, Austria

Word quickly spreads like wildfire among the Austrian community about this young noblewoman with the gift of the piano; some call her the second coming of Mozart. Others compare her to Beethoven. And still some other compare her to her mentor; an older man named Oscar Toulouse. But to Marie Bellamont Toulouse, she's only following her passion for music, as her grandfather, Oscar, has taught her.

However, her life is snuffed out before her legacy can truly unfold; on a cold September night, after a particularly spirited performance before the Emperor she's accosted by her jealous peers, and after a fierce argument she's raped and then murdered, left to die on the streets alone. Some witnesses say that she was heard calling out for her parents, who had passed years before...

III: April 1848 - London, England

The cholera pandemic is in full force as Alicia, a young nurse working in a hospital in the slums of London, works tirelessly to help the sick and dying under her care. She's called the nightingale of Soho because of her tendency to sing for those under her charge; a way to help them forget the pain and panic that's since set in from the outbreak.

Alas, she doesn't live long - just a month before the end of the outbreak, Alicia herself contracts cholera and dies before she can be administered a cure. Some report her singing a quiet lullaby for the nurses charged with her care just before she passed...

IV: October 1935 - Manhattan, New York

Speakeasies, the Great Depression, jazz music - the dreariness and the somber of the Prohibition era is not lost on Alexis Serracino as she wanders the streets, offering spare change where she could to the needy. But she can't give too much away. She's not allowed to bring too much attention to herself.

Especially if she's being hailed as an angel and a demon alike. That's what happens when your mother, an FBI agent in the anti-Prohibition task force, ends up having a romantic relationship with one of the most feared crime bosses in the city of New York. One foot in a prison, the other in a coffin, with everyone around you either wanting you dead or trying to get close to her father. The only solace she finds is in the speakeasies, where she sits and listens to the blues and jazz of her day. Bille Holiday, Bessie Smith, and Ella Fitzgerald are among her favorite singers, as she'll readily tell you.

Her life comes to a violent end when an FBI task force, headed by her mother, slams down hard on her father's Brooklyn mansion New Years' of 1938. Torn between allegiances, she tries to do the right thing and convince her daddy to give up, she doesn't want him to get hurt - except a new agent, just fresh out of the academy, mistakes her attempts at peace for an ambush and shoots her through the heart. Even as she lay dying, she tearfully asks for both parties to stop the senselessness...

... her words are lost on both her parents as both parties are gunned down to the last man in the ensuing firefight. New York organized crime drops like a rock after the Serracino manor incident.

V: Present Day - Kanon Town, Japan

Born to King Mephisto and Queen Aphrodite of Major Land, Ako Shirabe lives an idyllic life until the creature known as Noise brainwashes her father and several others into doing his bidding in an attempt to destroy the world through the removal of music. Ako is forced to flee to Kanon Town, and in the chaos she becomes a legendary warrior - a Pretty Cure - fighting in the hope that her father returns to his senses...

After realizing there's only so much she can do alone, she ends up allying herself with Hibiki Houjou, Kanade Minamino and Ellen Kurosawa - her fellow Precure - in order to stop Mephisto, and ultimately prevent Noise from drowning the world in sorrow, realizing that he himself suffered from the pain of sadness and despair. Both Major Land and Kanon Town are peaceful after the end of the fighting, with Ako herself looking forward to a bright future well, at least until the events of New Stage come along, whoops.

( OOC: Any scenario/timeline is open to all. Go for it! )
justlikeacircus: (Nightwing: Civvies)

Dick Grayson | Batman

[personal profile] justlikeacircus 2013-02-04 11:41 pm (UTC)(link)
Rome, 168BC Health and safety is not exactly a concern in a world where people are pitted up against wild animals as a form of entertainment, so when an accident took his parents, Regulus Gratianus was nothing special, just another orphan. He stayed with the troupe, became the best acrobat in Rome, some say, but he always felt something was missing.

England, 1770 Richard's parents had been taken from him in a carriage accident, though his wealthy uncle was on hand to take him in and ensure his proper upbringing. He allowed the boy to study anything and everything he wanted, being a big supporter of knowledge. They came to blows when Philip Astley sought acrobats to perform in his Ampitheatre of equestrian arts, the old man considering the whole idea to be far too lower class. Richard ran away from home and lived out his days as an acrobat, it just made sense to be flying.

America, 1825 Rick ran away from the orphanage only two weeks after being dropped in it by disinterested relatives. He joined the circus, attached himself to the trapeze artists and refused to leave them alone until they'd taught him everything they knew. He became the star attraction, married one of his fellow artists and never stopped travelling.

London, 1901 After his parents died, Richard was left to the streets until a London policeman took him in. Work-obsessed, constable Wayne left the young man mostly to his own devices, but he instilled a great sense of justice in Richard, and he grew up to become a policeman himself.

Gotham City, present day Taken in by Bruce Wayne after the murder of his parents, Dick Grayson took on the mantel of Robin and joined in guardian in the never-ending fight against crime.

These days, he's putting his acrobatics skills to work as Nightwing, keeping the streets of Gotham safe on his own terms.
haranguing: (we will not let time erase us)

London, 1901

[personal profile] haranguing 2013-02-06 11:39 pm (UTC)(link)
His name is Matthias Taylor, this life around, and funnily enough his surname is his profession.

Well. One of his professions. Because Matthias Taylor is also known as Mr Veils, and he's a member of the city's underworld -- of a group of reincarnates who've decided to take a little bit of control over the city.

He is a quiet speaker, well dressed and immaculately groomed, and doesn't come across as very dangerous. Not until people find out that he's a rope maker as well, at least. And that he always has rope on his person, and needles, and scissors. And usually a garotte.

He is careful, and leaves as little evidence as possible, and has a much lower profile than some of his companions -- Mr Fires, say, who everyone knows is in charge of a bunch of thugs down at the docks, and has a hand in smuggling, or Mr Stones, who is obviously dangerous -- and while the police sometimes "want to ask him a few questions," they haven't been able to pin anything on him yet. The pun of which is entirely unintended.
justlikeacircus: (Default)

Re: London, 1901

[personal profile] justlikeacircus 2013-02-06 11:55 pm (UTC)(link)
Bruce was certain he was up to something, his instincts were usually right but there wasn't much he could do about it, so more often than not he would be left frustrated as yet another matter was left unresolved, yet another crime where they couldn't get their man.

Richard's still young, been living with the constable for a few years but he's desperate to impress. Bruce is a distant man, you have to work hard for his approval and Richard intends to work hard. Besides, he wants to follow Bruce into to constabulary when he's a little older, so perhaps he ought to get a little practice in.

Which is why he's trying to tail Mr Taylor, hoping he can bear witness to something that will help Bruce achieve his goal.

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keepsmeawake: (smile)

Stiles Stilinski | Teen Wolf

[personal profile] keepsmeawake 2013-02-05 12:49 am (UTC)(link)
Greece, 3rd century BC He is a priest at the temple of Apollo, while his friends hunt and feast, he worships and studies. Sometimes, the call of the wild is too strong, and after blessing their hunts he'll follow them, getting in the way and chasing off the animals. He annoys them, but he doesn't seem to care.

Egypt, 393 Christianity has taken hold of the Roman Empire, including the provinces, though there are still small groups that rebel. He finds himself on the fringes of one such group, worshipers of more traditional gods. Though his father is a roman soldier, charged with eradicating such groups, he keeps their existence a secret, not wishing to betray his friends. It causes a rift between him and his father, a rift he does not like.

Iceland, 1220 He's a terrible viking and he knows it, but he's enthusiastic and he tries his hardest. He tells stories better than he fights, warriors gather round the fires to hear his tales, and he tells them better each time, bigger and more epic. He does it to make his father smile. His father is the chief of his village, and he knows he is a disappointment, even moreso after his mother dies. So he tells stories, and impresses his father for what precious few moments he can.

North America, 1515 He wants to be a shaman, but he doesn't think the sign will ever come. His friends are spiritual enough, they pray to the spirits every day as they should, but beyond that? They'd rather be hunting. He waits, though, he watches the current shaman and learns his craft so that when the sign comes, he'll be ready. He worries that he'll miss it, but when he sees the wolf, he knows he is blessed.

North America, 1850 His father's the sheriff, but he hasn't been the same since his mother died and he won't stay off the whiskey. He can still shoot straight, most of the time, and he keeps order with a fierceness, so nobody really worries about how drunk the man gets. Nobody but him, and he can't do anything about it. Anyway, he's feeling too guilty about making friends with the local apache tribe. There's something about their ways that feel familiar, and he can't quite figure it out.

England, 1941 He can't avoid conscription, he knows he can't, it doesn't matter to the government that his father hasn't been right for years now, doesn't matter that he'll probably drink himself to death without anyone to watch out for him - all he can do is hope that his best friend's mother will do it in his stead, but he knows there's a war on, people can only do so much. So he says goodbye to his father and leaves with the boy who's like a brother to him, and he doesn't know if either of them will ever see their parents again. Neither of them make it home.

Beacon Hills, present day Most of his friends are werewolves and he's just the hyperactive brains of the operation, but it's still the coolest thing ever - except when they're nearly dying, and all the lying to his dad, and the people who actually die.
But other than that, it's pretty cool. Yea.
smirkinbackground: (Default)

Gaius Maecenas | Rome

[personal profile] smirkinbackground 2013-02-05 01:05 am (UTC)(link)
Rome, 50BC Maecenas leads a pretty charmed life after he meets Octavian, the young poet becomes close friend and political advisor to the first emperor of Rome. He spends his days writing speeches and patronising other artists of the time. Life is good.

Italy, 14th Century The renaissance is at hand and he wants every part in it, ever the artist, the young nobleman commissions anyone and everyone with even a modicum of talent. He enjoys beautiful things.

England, 1600 A young actor and aspiring playwright, he spends most of his time at the theatre - when he's not at the ale house or the brothel, that is. He acts for Shakespeare and Marlowe every chance he gets.

England, 1890 It really is wonderful when one has money and doesn't have to work for a living, how dreadfully boring that would be. He attends parties, and writes poetry, and spends more time than is healthy in opium dens.

America, present day Guy Martin is from old money, and he's quite certain that being poor would never suit him at all. He's not a total layabout, he studies well because he knows that education is important, they say money is power and they say knowledge is power, he'd rather hedge his bets and have both. He plays hard as well, because he's young, and has money, and there are a lot of parties just waiting for him.
junks: (❧ cultured lass)

anna ( spring awakening )

[personal profile] junks 2013-02-05 02:17 am (UTC)(link)
[ Anna will never be a mindless optimist. She is always grounded in realism after she allows herself to flights of fancy. What remains through the ages is this: her poise, her religion, and her investment in education and her own ideals in raising a new generation.

i. 1892, Germany | Anna is witness to the disastrous effects of a society clinging to tradition and the perhaps well-intentions efforts of parents and educators alike to keep their children from learning about their bodies, sex, and the way the world truly is -- all of which lead to not one, but two deaths in the village. She proclaims that she will raise her children to know freedom.

ii. WWII, Germany | Anna watches as some of her friends fall prey to the call of Germany's new leader while others shrink back, and some are sent away - namely, her best friend. Only one raises her voice against all of it. She becomes a nurse and tends to soldiers from all sides. Through her urging, her family takes in refugees. An old beau rises through the ranks in Germany's military, a new beau introduces her to the temptations of swing music. Her eyes remain on the town rebel and envies his drive.

iii. Modern day, America. | Anna, called Annie, has moved to the big city from her small German town on the countryside. She is full of life and ideas and is determined to change the world through words. Her voice is one of the clearest on the student paper and she is constantly connected to social networks to keep up with and produce news pieces and editorials. Living here, away from the heavy tradition of her small town, she truly feels she is on her way to finding her voice and her stride and is ready to be swept away by the lights and sounds.

Anna will live. Her friends will die. She will always carry on because that is just in her nature.


[ ooc: Completely open. ]
washessocks: (Default)

Merlin | Merlin

[personal profile] washessocks 2013-02-05 02:30 am (UTC)(link)
Camelot, 5th Century He never expected, when he arrived in Camelot, that things would go as they did. He never expected that he'd feel anything other than animosity towards Arthur.
He never expected it to end that way.

Germany, 1348 Arthur was supposed to be a great leader, he was supposed to liberate and unify the land with Merlin at his side. The black death stole him away and Merlin was left alone again, without his champion.

Scotland, 1590 He goes through life feeling like something is missing, a person he hasn't met yet. He doesn't get his chance, a few simple mistakes get the attention of the wrong people and he is burnt as a witch.

America, 1783 He hates war, can't fight worth a damn, but he believes in Arthur and Arthur believes in a cause, he believes in independence. So he follows him into battle and he's the only one that comes out at the end, the only one who gets to see what Arthur fought so hard for. It's a bittersweet victory (it always is).

England, 1916 He trains to be a medic, Arthur trains to fight, of course he does. They went to the same school, though he was a scholarship boy, they never got along. That doesn't seem to matter now, cold and wet and stuck in trenches somewhere in Belgium. Arthur's trying to become an officer, Merlin's just trying to stay alive. Arthur manages neither. Merlin doesn't understand why it hurts so much, he never fully recovers from the war.

England, present day Merlin's a student and he loves it, he feels like knowledge is his calling, he might spend all his life as an academic, become a crotchety old lecturer living amongst piles of dusty books, that would suit him just fine. That was what he always thought, but there's that blonde prat at university, and there's something about him that makes him wonder what he's really meant to do...
skepticseer: (black on a horse)

Scotland

[personal profile] skepticseer 2013-02-07 01:34 am (UTC)(link)
Prior to being burned to death, Merlin will come across someone he knows, or perhaps he does not.

She's out for a ride today. Daughter of the laird means she can come and go as she pleases. Then again, she doesn't stray to far of late with the recent accusations.
washessocks: (Default)

Re: Scotland

[personal profile] washessocks 2013-02-07 01:43 am (UTC)(link)
Merlin's supposed to be helping chop firewood, but he's terrible with an axe, doesn't have the upper body strength for it, so he volunteered to go out and gather kindling instead.

He's using the time to just get away from the village, he's been making too many mistakes lately and the others just keep watching him, it's nice to be on his own, so perhaps he strays a little farther than he normally would in his search for twigs.

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suppressthedark: (Don't come here; Don't come near)

Ichigo Kurosaki | Bleach

[personal profile] suppressthedark 2013-02-05 03:03 am (UTC)(link)
[There are a few things that stay constant, no matter what life Ichigo ends up in, no matter what name he takes. First and foremost is that altrusistic personality of his, willing to help and protect those he can, even at the cost of his own life. Second is the ability to see ghosts, an ability mired in his very soul. And third, His hair color never changes. No matter who he is, that bright orange always stays. Easier to find him, maybe.

1506, Italy-The son of a well to do merchant, Nico (whose real name is Niccolò, but the shorter form of the name is the one he prefers) is a cheerful young man, with no tragedies in his life to dramatically change his character. While he tends to stick himself into a dangerous situations (mostly to help others, no matter their social rank), he is stronger than one expects, with lighting-quick reflexes that seem to defy the limits of normal humans. Due to the diary he kept, some historians suspect he was also involved with some sort of shadowy organization-but as most of the passages relating to that are disguised as normal everyday occurrences, it's speculation as best. Most dismiss it, saying the boy clearly suffered from delusions as he writes about speaking to the dead.

The beginning of the Meji era, Japan- The shogunate is overthrown, and the emperor sits on the throne. They've begun to call this time 'enlightened', although it's anything but for those who fought on the wrong side, or those that lost everything. Ronin are common to see on the streets, and this one is no different. All he has is the clothes on his back and the sword at his side, the last link to the life he once had. A nameless ronin, forgotten by history who ultimately lives and dies quietly. Did he find happiness after hitting rock bottom? Who knows.

1920, America-Even though in this era people are supposed to be godfearing, they still come to him for one last chance to possibly speak to their loved ones. It's not his official job, of course-he owns a popular restaurant in the city, and can easily get by, even if he has no family whatsoever. But he can't stop himself from easing the pain of those that are left behind, and every time he watches a grieving person smile through their tears and clasp his hand, thanking him from the bottom of their heart, Elmo Pataski can't help but feel that this is what he was put on this earth to do.

Present Day, Japan-Kurosaki Ichigo is a 17 year old high school student with a secret. A lot of secrets, actually. But he has his friends, and he wouldn't trade them for the world.
haranguing: we only own our hell (we don't own our heavens now)

Mr Veils | Fallen London

[personal profile] haranguing 2013-02-07 11:32 am (UTC)(link)
[ He does not know if he remembers every one of his lives. It's impossible to tell. So much time passes in between them, usually many centuries, but does time really matter with something like this?

In the first life she remembers, she's a girl from Tall Birāk, a city she knows simply as the Crossroads Shaded By Cedars. Her name is Sabeen, and she meets several others who will remember, later, as well. It is c. 2150 BC, and this is the first city any of them know. This is the first time they remember meeting. She makes fast friends with another girl named Yara, and they are inseperable. She lives about fifty years, but succumbs to sickness when the climate changes drastically. Still, looking back later, this is perhaps her happiest life.

The second life he is aware of in the "sequence" is nearly a thousand years later, c. 1200 BC. He is named Irsu, from Akhetaten, a city that will later be known as el-Amarna. When he meets Anen, he recognizes Yara in him, and is recognized in return. He is not the only one from Tall Birāk that Irsu meets, not the only one who remembers, but again, he is closest to him. They turn to linen making as a trade, and live decent lives until a creature -- some sort of monster, people say, a giant beast, a giant bat, but of course people talk nonsense -- begins killing people, and Irsu and several of his friends fall pray to it before it is finally chased off... or at least goes into hiding.

His third life is in the Mesoamerican city of Chichén Itzá, over two millenia later, c. 820 AD. His name is Coyopa; this time, his best friend is known as Xipil. As in their last lives, they both remember, and are overjoyed to meet again. In this life, however, two new things happen: Coyopa falls in love with Xipil. And, when they are young men, Xipil is killed. He is sacrificed at Chen Ku, the sacred well, bled and drowned and tossed down to Xibalbá to appease the rain god, Chaac. Coyopa, in his grief, does not live long after.

As near as any of them can tell -- and they who had been Sabeen, and Irsu, and Coyopa, had searched -- Xipil's reincarnation ceased with that sacrifice. They do not meet him again after it.

In her fourth life, Qarajin is quiet from a young age. She is born in 1343, in the city of Karakorum, and her family does not know who she seems to always be looking for, and does not quite understand why she begins dressing as a widow might when she is still an unmarried young woman. They do not know who she is mourning for. She makes clothes for other mourners, and spends most of her time alone, or with her friends -- the ones who remember, the ones who understand. She was killed when Ming troops destroyed the town in 1388, at the age of 45.

In his fifth life, his name is Matthias Taylor, and he is, fittingly enough, a tailor. Among other things. He is born in London, in the year 1859, and when he and his friends grow older they get involved in the city's underworld, and are very good at it. He is still quiet, and wears black, and spends much of his time by himself. He is quite good at making clothing, and hats, and handkerchiefs. And rope. He always has rope on his person, and needles, and scissors. He lives into his sixties, before he is gunned down by police.

Aya Kurosawa's sixth life takes place in Japan, in the present day. She is unusually quiet, with an odd habit of speaking in a hushed voice, a whisper; her voice and mannerisms might be called "demure," though her words aren't quite that. She makes clothing, fancier this time than in her past two lives, but while she wears things with ruffles and skirts everything is still in black for her. She is a little more curious, and in this life, more interested in blackmail, but is still happy to accompany her friends in their questionable business practices. For the first time in her lives, the ones she can remember, she lives to old age, and dies in her sleep.

In his current, seventh life, the year is 2499. It is the turn of the century, and the world seems poised for... something. It's hard to say what. But Benjamin Lott lives in New York city, and makes his living as he has for three lives now. He has found his "old friends" already; they always meet each other by the age of twenty. Secretly, he is still waiting, as he has for his last two lives, for the one person he remembers most clearly, and misses more than anyone, and knows by now he probably will not see again.

In all of his lives, or at least all the lives he can remember, he has been skilled with textiles and fabrics of all kinds. He has always had a passion for them. In his first three lives, he dressed brightly; he loved storms; he loved to sing. Yara/Anen/Xipil lit him up, made him shine. In his fourth life, and all his lives after, he has dressed in black, and spoken quietly, and preferred to be alone. He has several other friends, among the ones who remember, the ones he meets every time -- he even considers a few of them close friends -- but it is never quite the same.
]

((OOC: Open to all repliers! Canonmates can choose any scenario for their reply, but cross-canon threads would probably work best with life #2, 5, or 7.))
Edited 2013-02-07 11:56 (UTC)